Ticketmaster’s Big Loss in Court

Ticketmaster’s Big Loss in Court

April 23, 2026 27 min
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🤖 AI Summary

Overview

This episode explores the landmark antitrust trial against Live Nation and Ticketmaster, which resulted in the companies being declared a monopoly. Music reporter Ben Sisario delves into the trial's twists and turns, the evidence presented, and the implications for concertgoers and the music industry.

Notable Quotes

- We're robbing them blind, baby. – Slack message from a Live Nation employee, highlighting exploitative practices.

- In some ways, Live Nation is like the Standard Oil of concerts and live entertainment.Ben Sisario, on the company's dominance.

- Why can I buy something on Amazon, but it's such a problem when it comes to Ticketmaster?Ben Sisario, reflecting public frustration with ticketing systems.

🎵 The Monopoly of Live Nation and Ticketmaster

- Live Nation and Ticketmaster were found to control vast swaths of the music industry, from concert promotion to ticketing and venue management.

- Ben Sisario likened their dominance to historical monopolies like Standard Oil, emphasizing their influence over artists, venues, and fans.

- The trial revealed how Live Nation leveraged its power to stymie competition, including threatening venues that sought alternative ticketing providers.

💥 Taylor Swift’s Role in Spotlighting Ticketmaster’s Issues

- The chaotic ticket sales for Taylor Swift’s Eras Tour in 2022 brought widespread attention to Ticketmaster’s inefficiencies and monopolistic practices.

- Fans faced hours-long waits, system crashes, and exorbitant resale prices, prompting public outrage and scrutiny from lawmakers.

- This incident catalyzed bipartisan criticism in Washington and amplified the Justice Department’s investigation into Live Nation.

📞 Evidence of Threats and Retaliation

- Testimonies revealed Live Nation’s aggressive tactics, such as threatening venues like Barclays Center and Irvine’s amphitheater with economic retaliation for not using Ticketmaster.

- A recorded phone call showed Live Nation’s CEO angrily reacting to Barclays switching ticketing providers, followed by the venue losing major concerts like Billie Eilish’s tour.

- Slack messages from employees bragging about overcharging fans and calling them “stupid” further underscored exploitative behavior.

⚖️ The Trial’s Dramatic Turn and Verdict

- Despite the Justice Department’s unexpected settlement with Live Nation, 40 state attorneys general pushed forward with the case.

- The jury unanimously ruled that Live Nation was a monopoly, citing anti-competitive practices and consumer harm.

- Evidence included internal emails and Slack messages showing deliberate efforts to block competitors and exploit fans.

🎟️ Implications for Concertgoers and the Industry

- Remedies for Live Nation’s monopoly, including potential company breakup and monetary damages, are yet to be determined.

- While fans hope for lower ticket prices and reduced fees, Ben Sisario cautioned that supply-demand dynamics for major artists may keep prices high.

- Increased competition in ticketing and concert promotion could improve the consumer experience, but the long-term impact remains uncertain.

AI-generated content may not be accurate or complete and should not be relied upon as a sole source of truth.

📋 Episode Description

For years, music fans have said they felt ripped off by Ticketmaster and Live Nation, its parent company. Last week, a jury ruled that they were right, and that the company is a monopoly.


Ben Sisario, who covers the music industry for The New York Times, breaks down the trial that unfolded and what it means for concertgoers.


Guest: Ben Sisario, a reporter for The New York Times covering music and the music industry.


Background reading: 



Photo: Allison Dinner/EPA, via Shutterstock


For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 


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